Two body problem.

Andy was right. It’s an amazing comeback story.

Give a fuck about awards.

You need to offer something banal for download with a spinning stiffy disk gif.

I use my hair dryer daily so does my wife. Dropped a little more than I was comfortable with on a Parlux and I’ve never looked back. There is a reason they have rules this game since the 70s. Also: they are serviceable (I don’t know for sure but I doubt the Dyson stuff is) so you can get a good long lifespan out of one.

Thanks for taking a swing at it! :)

I think your (pretty solid) point got swallowed whole by your unnecessary “the lefts corporate media” spiel.

Next time just make your point clear and let it stand on its own.

No worries.

Actually this podcast on the topic was recommended by another kind user here: https://lemmy.world/comment/7957387

Thanks for planting the seed it’s been fun to learn about this.

Sweet, take care out there.

Off topic: Hey does anyone know how I can tag a user in lemmy?

Hey! Thank you!

If you’re ever inclined to say more about this (dub/producer as artist) please do it here?

Fascinated by this.

Politics and whatever the other maladies are that infect Reddit aside: the app and the website are impossibly difficult to use. Ita just ads ads ads. Even if the place was a veritable utopia that’s a no from me dawg.

Come on. You know it’s Jebus.

No sweat, have fun making music!

Positive and negative are qualitative and measures in this case.

Subjective ones at that.

The halcyon days of Lemmy lasted a week or so. As soon as you have mods coming over for Reddit you have all the shit they are schlepoed along with them. I’m only in here when I’m shitting and then only because I’ve memorised the blurb on the back of the air freshener can already.

Both. Build an audience on SoundCloud, offer the same music for sale on Bandcamp. If you don’t like drama then don’t partake (by posting about it elsewhere online or even acknowledging it al all) if you’re just stating to share your music then that’s a lesson you’ll want to learn right now.

I’m fairly certain that what we hear on the record is cut from a much longer recording and it maintains some granular delay and tons of reverb from the parts we do not hear. So I’d say it’s a 100% wet signal that we are hearing the long tails of. Then the foreground melody is also heavily processed very likely through a modulation model we sorts. The Line 6 MM4 can emulate a Leslie speaker (the one where the cone spins around) and something like that could get you there once you have the tambre of the ‘organ’ patch in hand. Remember that Trent Reznor is extremely experimental so if that melody was made with samples of the reverb tails of the whole textural background in key and then put through a resonant filter that would not be out of character for him at all.

I like your take.

I don’t feel I’ve been wronged btw. I feet that human nature is as it does. I was looking for a lesson, a way to improve things out of it.

I appreciate your thoughts but I’ll refrain from commenting further on the silly spat. It’s not important to this topic and in retrospect I should have left it off my OP and just posted the ideas I’d had.

Thank you for you thoughtful post.

Thanks, appreciated.