Fwiw, on my m3 + max ram, I also was recording 1080p 30-ish minute obs videos for a while running large Ableton Live project playback + a facecam, and (while I don’t remember specs specifics) I didn’t find it to be unstable. I don’t do heavy video editing, so I’m not sure about the requirements, but for obs in 1080, it felt fine for me. I think I also exported some edited 4k footage at one point though, and I seem to remember rendering that one took a solid amount of time, so if you think you might move to 4k, pro might be more appropriate.

But I remember having specs reservations when getting my air, and I have not regretted it at all. Especially when I see my friends lug around their monster of a laptop. Those pro machines are thicc

I’d probably agree with them 😂 . This is a cool video thanks for linking!

I mean, that very well could be so! After all, I’ve only lived during my timeline, so recency bias probably does make changes seem more dramatic 😂 . But I do feel like computer usage has created a pretty significant change in how music is composed and produced compared to prior technology, and a lot of those innovations are relatively recent.

? I mean I’m not disagreeing with you. Each of these step changes increased the usage of technology dramatically. I’m not really naming dubstep as the instigator as much as much as I’m just using that to describe the general point in time where I felt like computers became more prevalent as the defacto composition tool. I feel like this is around the time where computer music has really evolved in usage in all genres. For example, the amount of computers in new orchestral scores right now is wild. Of course it was used long before this, but there’s a big difference between usage in specific genres and/or to make music stand out, and it being a part of the general palette for every genre.

I would say no.

Honestly, since directly after the dubstep craze era, there has been suuuuuuch good music, because I feel like that’s when electronics became much more mainstream for ALL musicians to play with. Prior and during that time, I think a lot of electronic music was about experimenting with sounds. But during that era I think was when everyday musicians got comfortable with the soundscapes, and started incorporating all their other music knowledge and to make more varied, complex, and interesting stuff.

The problem is just finding the good music, since it can be so quick for anyone to produce and distribute it. There’s just way too much.

Whoa those space ones are really cool!

It’s like you’re building headphone chimeras. I didn’t realize you could just buy brand parts like that!

So I’ve been trying to learn Spanish and Chinese recently, and as a programmer, I’ve also been making a few tools to help me with it! Right now, the first works, and the second is…. well it kinda works, but it’s more in-progress

1. Emoji Flashcards - http://flashcards.bpev.me

Generates Emoji-Audio-Text flashcards with audio in a bunch of languages (meant to be used with Anki). The idea is that it’s better to avoid using your native tongue when learning a language, so use common visual images (Also, please help fix my translations 😂)! But my friend just vetted the Japanese deck, and I’ve been updating the Mexican Spanish deck as I go, so maybe those ones are pretty okay right now.

2. Multireader - https://github.com/bpevs/multireader

For reading e-books with select-to-translate, so I can read a book in another language, and highlight when I don’t know a word. I want to make it create flashcards from the words I highlight.